Madeline Poll

Madeline Poll is an early career curator with a strong commitment to preserving and amplifying the cultural heritage of Aboriginal, Torres Strait Islander, and South Sea Islander communities. Her ancestral connections trace back to the Loyalty Islands (Lifou), where her ancestor George Watego was brought to the Torres Strait by the London Missionary Society. Through marriage and community ties, Madeline has deep family connections across Aboriginal, Torres Strait, and South Sea Islander communities along the east coast of Australia.

Madeline has worked at the Powerhouse Museum for six years, beginning in Visitor Services before moving into Registration, and eventually transitioning into Curatorial, where she has been for the past three years.

"*" indicates required fields

Blue Art Journal acknowledges the First Peoples of this land and recognises their continuous connection to culture, community and Country.

Bob Gibson, Patjantja, 2025

synthetic polymer paint on canvas, 180.0 x 150.0 cm
(c) Bob Gibson, courtesy Vivien Anderson Gallery, Narrm/Melbourne

Ita Tipungwuti, Parlini Jilamara, 2007

earth pigment on canvas, 160.0 x 200.0 cm
(c) Ita Tipungwuti, courtesy Vivien Anderson Gallery, Narrm/Melbourne

Clare Jaque Vasquez, The Haze And The Hush, 2025

acrylic and impasto on stretched canvas, 130.0 x 150.0 cm
(c) Clare Jaque Vasquez, courtesy Vivien Anderson Gallery, Narrm/Melbourne

Charles Inkamala, Glen Helen, Mission Days, 2025

 

Synthetic polymer paint on canvas, 61 x 61 cm
(c) Courtesy of Vivien Anderson Gallery

Maree Clarke, The Long Journey Home 8, 2024

digital print on photographic paper, 69.0 x 102.5 cm
(c) Maree Clarke, courtesy Vivien Anderson Gallery, Narrm/Melbourne

Tread Lightly