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Blue Art Journal creates space for First Nations writers, artists and critics to lead, critique, challenge, experiment and to tell stories on their own terms. Donate

Glenn Iseger-Pilkington

Glenn Iseger-Pilkington (Nhanda and Noongar Peoples/Dutch/Scottish) is a curator, cultural strategist, writer and senior arts manager with more than 20 years of experience across visual arts, cultural leadership, community engagement and national advocacy. Glenn’s career spans senior positions at Fremantle Arts Centre, Western Australian Museum, Art Gallery of Western Australia, South Australian Museum, national First Nations visual arts initiatives and major government cultural projects in Western Australia.

Glenn Iseger-Pilkington

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Blue Art Journal acknowledges the First Peoples of this land and recognises their continuous connection to culture, community and Country.

Bob Gibson, Patjantja, 2025

synthetic polymer paint on canvas, 180.0 x 150.0 cm
(c) Bob Gibson, courtesy Vivien Anderson Gallery, Narrm/Melbourne

Ita Tipungwuti, Parlini Jilamara, 2007

earth pigment on canvas, 160.0 x 200.0 cm
(c) Ita Tipungwuti, courtesy Vivien Anderson Gallery, Narrm/Melbourne

Clare Jaque Vasquez, The Haze And The Hush, 2025

acrylic and impasto on stretched canvas, 130.0 x 150.0 cm
(c) Clare Jaque Vasquez, courtesy Vivien Anderson Gallery, Narrm/Melbourne

Charles Inkamala, Glen Helen, Mission Days, 2025

 

Synthetic polymer paint on canvas, 61 x 61 cm
(c) Courtesy of Vivien Anderson Gallery

Maree Clarke, The Long Journey Home 8, 2024

digital print on photographic paper, 69.0 x 102.5 cm
(c) Maree Clarke, courtesy Vivien Anderson Gallery, Narrm/Melbourne

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