Cultural Protocols

As an online journal with a focus on First Nations art and writing from across the globe, we aim to be transparent about our cultural protocols. These protocols are living, evolving practices, and we recognise that by documenting them, they become almost instantly out of date.

Because cultural ways of being, knowing and respecting vary between communities across the globe, we know our aims of representing global First Peoples are ambitious and may occasionally be contradictory. Yet as Gerald McMaster writes in his piece for Volume One, more things connect us than divide us here.

The First Peoples Board who led the creation of Blue Art Journal kept these values close while considering the first volume:

  • Cultural authority–authority may reside within a collective or a knowledge system. Permissions might be layered. We encourage readers to think across these dimensions.
  • Community accountability and relational responsibility. We’re not perfect; we encourage multiplicity of viewpoints. This will be a place to read critique and open itself back up to critique–without defamation or lateral violence.
  • Cyclical and seasonal, this project will grow. It doesn’t aim to just be one immutable thing; that is a Western modality. If something isn’t addressed immediately, or done in a way you’re used to, let time do its work. We actively want to create a space that does this differently, which might alter reading habits.
  • Data sovereignty and archival intervention. We’ve included a note about ICIP in our Privacy Policy in the footer

Cultural learning and its ever-changing nature will guide Blue Art Journal. We will centre respect, relationship and communication as we begin this journey, and keep this page as up to date as we can with our learnings and developments in this space. Below is a list of how we will resource this work.

Resources:

Community feedback from First Peoples in the arts. Please reach out to us at editorial@blueartjournal.com

Board members, Elders, kin and their community

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Blue Art Journal acknowledges the First Peoples of this land and recognises their continuous connection to culture, community and Country.

Bob Gibson, Patjantja, 2025

synthetic polymer paint on canvas, 180.0 x 150.0 cm
(c) Bob Gibson, courtesy Vivien Anderson Gallery, Narrm/Melbourne

Ita Tipungwuti, Parlini Jilamara, 2007

earth pigment on canvas, 160.0 x 200.0 cm
(c) Ita Tipungwuti, courtesy Vivien Anderson Gallery, Narrm/Melbourne

Clare Jaque Vasquez, The Haze And The Hush, 2025

acrylic and impasto on stretched canvas, 130.0 x 150.0 cm
(c) Clare Jaque Vasquez, courtesy Vivien Anderson Gallery, Narrm/Melbourne

Charles Inkamala, Glen Helen, Mission Days, 2025

 

Synthetic polymer paint on canvas, 61 x 61 cm
(c) Courtesy of Vivien Anderson Gallery

Maree Clarke, The Long Journey Home 8, 2024

digital print on photographic paper, 69.0 x 102.5 cm
(c) Maree Clarke, courtesy Vivien Anderson Gallery, Narrm/Melbourne

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