Board Members

Chair Dean Cross (Worimi)

Dean Cross is an interdisciplinary artist whose practice explores the intersections of materials, ideas and histories.

Cross, Dean
Board Member Dorell Ben

Dr Dorell Ben is an interdisciplinary artist, writer, and researcher whose interests ebb and flow between Indigenous tattoo practices, barkcloth, and literary narratives of Oceania. Ben is a Rotuman-IndoFijian woman from Fiji living and working in Meanjin Brisbane. She is currently exploring Rotuman uha (tapa) and fạ’i (tattoo).

Dorell Ben
Board Member Gabriella Jacobson

Gabriella Jacobson is an Indonesian Australian lawyer living on Jinibara Country in South East Queensland. With experience across private practice and community legal settings, Gabriella brings a broad legal perspective and a strong commitment to community, culture and access to justice.

Gabriella Jacobson
Treasurer Nick Leete

Nick Leete is an Investment Manager with extensive experience in financial stewardship and governance.

Board Member Emily McDaniel (Wiradjuri)

Emily McDaniel is a curator and artist from the Kalari Clan of the Wiradjuri nation in Central New South Wales.

McDaniel, Emily
Board Member Hayley Millar Baker (Gunditjmara/Djabwurrung)

Hayley Millar Baker is a lens-based artist whose work explores cultural storytelling through photography and moving-image.

Millar Baker, Hayley
Board Member Georgia Mokak (Djugun)

Georgia Mokak is the First Nations Outreach Coordinator at the National Association for the Visual Arts, advocating for cultural leadership and sector development.

Mokak, Georgia
Board Member Hannah Overheu

Hannah Overheu lives, works and raises her young sons on Whadjuk Noongar Boodja. She has worked alongside communities across Western Australia and the Northern Territory, building experience in the Aboriginal Community Controlled Health sector, community services and systems reform.

Hannah Overheu
Board Member Talia Smith

Talia Smith is an artist and curator from Aotearoa and is now based in Sydney. She is of cook island, samoan & pakeha heritage. Her practice examines notions of time; memory and the archive with a particular focus on lens based practices. She has curated exhibitions for organisations such as Museum of Contemporary Art Australia, International festival of photography Singapore, UTS gallery and MAMA among others. She has undertaken research residencies in Singapore, Frankfurt and the Nordics and currently works as Coordinator Programming at Blacktown Arts.

Talia Smith
Board Member Katerina Teaiwa (Banaban/I-Kiribati)

Katerina Teaiwa is an interdisciplinary scholar, artist and award-winning educator. She is a Professor of Pacific Studies at the Australian National University.

Teaiwa, Katerina
Board Member Zak Tilley

Zak Tilley is a Naarm-based artist with experience and expertise in NFP organisational governance, arts development and community-led initiatives. His practice spans painting, sculpture, and installation to explore collective anxiety of otherness through intersections of queerness and theology, informed by his childhood fear and reverence of locally sighted cryptids. With an ambition to create inclusive, accessible, artist-led spaces, Zak founded and directed Bath House Studios in Mparntwe (Alice Springs) and, currently, Basement Space at North Melbourne’s Meat Market.

Zak Tilley

Blue Art Journal creates space for First Nations writers, artists and critics to lead, critique, challenge, experiment and to tell stories on their own terms.

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Blue Art Journal acknowledges the First Peoples of this land and recognises their continuous connection to culture, community and Country.

Bob Gibson, Patjantja, 2025

synthetic polymer paint on canvas, 180.0 x 150.0 cm
(c) Bob Gibson, courtesy Vivien Anderson Gallery, Narrm/Melbourne

Ita Tipungwuti, Parlini Jilamara, 2007

earth pigment on canvas, 160.0 x 200.0 cm
(c) Ita Tipungwuti, courtesy Vivien Anderson Gallery, Narrm/Melbourne

Clare Jaque Vasquez, The Haze And The Hush, 2025

acrylic and impasto on stretched canvas, 130.0 x 150.0 cm
(c) Clare Jaque Vasquez, courtesy Vivien Anderson Gallery, Narrm/Melbourne

Charles Inkamala, Glen Helen, Mission Days, 2025

 

Synthetic polymer paint on canvas, 61 x 61 cm
(c) Courtesy of Vivien Anderson Gallery

Maree Clarke, The Long Journey Home 8, 2024

digital print on photographic paper, 69.0 x 102.5 cm
(c) Maree Clarke, courtesy Vivien Anderson Gallery, Narrm/Melbourne

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